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LOOK AT US NOW, MOTHER! is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love, as told through the filmmaker's story. The film is an unflinching look at the complex bond between mother and daughter. It reveals insights into family behaviors, patterns and generational, societal, cultural and individual histories. The film takes the audience on a journey spanning decades and continents, filled with conflict and emotional land mines. Told through biting humor and raw honesty, this is an intimate story about family dysfunctions and forgiveness.

A visit to the Isle of Man to discover why it wants greater independence.

Look at Life was a regular British series of short documentary films of which 507 were produced between 1959 and 1969 by the Special Features Division of the Rank Organisation for screening in their Odeon and Gaumont cinemas. The films always preceded the main feature film that was being shown in the cinema that week. It replaced the circuit's newsreel, Universal News, which had become increasingly irrelevant in the face of more immediate news media, particularly on television with the launch of ITN on the Independent Television service, which began broadcasting in parts of the United Kingdom in 1955.

Mina comes to the seaside mental hospital to find Andrej, who ended up there due to events from their common past that affected everybody's lives. There she gets in clash with authoritative doctor Vukcevic, but also with her own bygone, a kind of a labyrinth of dark familial stories.

Director Christian Falsnaes and actress Minni Katina Mertens stage a series of performances at an open air festival, a film studio, an art fair and a night club. LOOK AT ME explores the power relations between performer, viewer and camera, and documents a slippery slope between participation and compliance, entertainment and submission.

暂无剧情简介

An interesting look at model planes and how they are used for work as well as play.

An interesting look at the various seafaring jobs for women - from work on the great passenger liners, to merchant navies, plus a look at Russian women at sea.

Using original footage and interviews, family photos, and excepts from many of the actress's screen and stage performances, the film explores sources of Liv Ullman's creativity, the influence of her Norwegian heritage, her relationship with Ingmar Bergman, her views on being a woman and mother in contemporary society, and the writing of her autobiography,